In 1966, the "cultural revolution" erupted across the country and intellectuals, "counter-revolutionaries" or relatives of capitalists and one-time landowners were denounced. Ice in a game, they ask ALL the children should wear the
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Fang remembers that as a child, he was told his family had a problematic background.
From an early age, he had to cope with a world where "social and political currents changed almost overnight; and where human nature often turned brutal".
"I was shocked by all this," he says. "In some ways, you had two thoughts in your head. One was that your family was bad; the other was the warmth you felt toward them." So many children's parents
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Fang's father, a railroad engineer, was dispatched to the countryside for his "reform" and Fang once joined a denunciation session, only to discover that the man being slammed was his own grandfather.
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Schools were closed, boys went fishing, or engaged in petty thievery, and when they played games, Fang always lost, because the other boys insisted he was a loser.
"'You can't win'," he says they would tell him. “‘you come from a bad family'."
He learned early to play by the rules of the game: to taunt, to make fun, to appear to be in a crowd, even if he wasn't with it.
Strangely, it was all this that opened the door to his art.
Fang says his father worried about him getting into trouble, and so bought the young boy art supplies, and also hired an art teacher.
In the years that followed, Fang took classes in fine art and sought apprenticeships with various local teachers.
